My practice is grounded in a deep engagement with material, process, and the cultural legacy of weaving. I approach the loom not simply as a tool, but as a conceptual framework through which structure, rhythm, and narrative are constructed.

A central aspect of my work is a commitment to zero-waste weaving, transforming discarded and surplus materials into complex woven compositions. This approach is not only ecological, but also philosophical, an exploration of value, transformation, and the hidden potential within overlooked resources.

Drawing from architectural forms, natural landscapes, and traditional textile systems, I investigate the relationship between order and irregularity. Rather than pursuing mechanical precision, I embrace variation, tension, and imperfection as integral elements of the woven surface.

Weaving, in my practice, functions both as a historical language and a contemporary tool. By reinterpreting traditional techniques through a modern lens, I create works that are rooted in heritage while responding to present-day concerns.

Through this process, I position weaving as a living discipline, capable of engaging with questions of sustainability, authorship, and material intelligence within contemporary art and design.